Snowflake pattern Florence is good to go. The last change that makes it work is:
making the rings of the outer points bigger
making the echo rings between the points the same size as the outer rings
I’ve used thinner thread for this iteration of the pattern. It is made with size 12 thread. I typically use size 8 thread when creating patterns. The thicker thread makes problems stand out. The size 12 thread I’ve used here makes for a very delicate snowflake. It is about 9cm (3 1/2 inches) in diameter.
I did make a mistake with this snowflake, so it’s not one I will sell in my Etsy shop, knotshire.etsy.com, but it does make me happy with my pattern, so it is a success.
The next step is to repeat the pattern a few times in different threads, and then I will use the pattern with the inspiration thread for the snowflake Florence.
Snowflake pattern Florence is getting much better. The spacing problem was solved with:
reducing the number of stitches in the centre chain
increasing the number of stitches on the outer ring chain
The most appealing part of the four-sided pattern that I started with were the well defined points with echo points between them. Unfortunately, they have been muted in this version of my new pattern. The doily is looking unfortunately round. I wanted 6 points that were, well, pointy. And the echo points are a bit too big. So I still have some modifications to make.
I have again used some spare variegated thread that I had on hand to create this iteration of the snowflake pattern because the inspiration thread is also variegated. I used a black & grey variegated thread, the photo is actually in colour. It does not work well to have the variegated thread used for the chains, rather than the rings. I’m glad I used this opportunity to find that out!
This is my first partially successful attempt to create a six sided tatted snowflake which I will call Florence. It’s still a bit warped, but it is coming along.
The changes I have made from the original four sided pattern so far are:
making six points
reducing the size of the first, inner row by making the rings smaller
reducing the smaller, echo point between major points on the second, outer row down from 3 rings to 1 large one
But as you can see from the photo, more work on spacing is needed. It’s a bit fluted along the edge.
I have used some spare variegated thread that I had on hand to create this iteration of the snowflake pattern because the inspiration thread is also variegated. No, this thread is not very snowy. It’s looks more autumn before the snow falls. But it does demonstrate how this pattern works with variegated thread.
Finishing a six sided snowflake – even if it still needs work – is encouraging for me. I think I will be quite happy with this pattern when all the wrinkles are worked out.
This was going to be a completed motif with six sides that had promise for being my new design, but I got distracted while tatting and made a big mistake. I cut off the mistake and was going to reattach thread and continue, but since I’m using variegated thread it’s not quite that easy. The flow from one colour to the next would not work, and the mistake would be distracting, if not obvious.
The error came from the chain which goes up one side of a cluster from the middle row, ends in the one ring point, and then the chain starts again and goes back down the side of the same cluster from the middle row. The point in the image in the top right with the white thread dangling is where going back down the side of the cluster was the point of distraction from the pattern.
So here is where I needed to stop doing tatting with a scribbled pattern, with numbers crossed off and arrows pointing to the good bits, and go to my computer to write the pattern out and make a diagram.
I use Adobe Creative Cloud software, so I create my diagrams in Illustrator, and I document the written pattern (with the diagrams included) with InDesign.
And I know where I want to add photos of the work in progress inside my pattern now… at the place where I messed up. Messing up is annoying, but it does help to make the documented pattern better.
Not really a surprise, simply adding 2 sides to the four sided design I started with doesn’t work.
While I was doing the inner row, it was pretty obvious that simply adding 2 point clusters to the 4 point clusters from the starting pattern was going to cause spacing issues. It felt a bit cramped. While tatting on the outer row, it was clear that this pattern wanted to be square. So I stopped work on this motif.
I think the colour on this motif is much nicer than the dark blue and white of the square motif. This is still the size 8 thread, same as the thick thread I used on the square motif, but it doesn’t look nearly as clunky – probably due to the colour. So the cool blue hand dyed thread that is my inspiration for this snowflake doily, Florence, will likely look very nice. Which is a good thing.
As a starting point for a new pattern I often look in my old pattern books for ideas. This pattern is from a placemat pattern called Lavender & Lace from the book Tatted Doilies & Edgings edited by Rita Weiss (1980). (Most of the patterns in this book are actually from the early 1900s and are reprints.) The placemats are made up a series of these four-sided motifs.
It is a four-sided pattern, so it will need a lot of changes to make a six-sided snowflake. My snowflake patterns are all six-sided. The molecules in ice crystals join to one another in a hexagonal structure to create natural snowflakes, so six it is.
The appeal of this pattern is the defined points. I like the long corner points, and I also like the in-between points as an echo. I also like the chains between the rings with the connections to the inside row, they make for a very sturdy-looking design.
I’ve tatted this pattern in spare thread I have in size 8. This is quite thick and makes for large designs, which is good when starting a design. I’ve had many aggravating moments with patterns from old books that really don’t work, but you won’t notice this until you try to tat them in thick thread. Then looking closely at the pattern pictures, you see the manipulation that was needed after stitching in very thin thread to make the pieces work! An early 20th century take on “we’ll fix it in post”. I don’t need the aggravation of trying to work with that kind of pattern. But this pattern turned out quite well, so I’m happy to start with it.